Cinder Atlas

Artistic perspective

I work with routes, thresholds and the visible residue of a decision. In The Last Open Door, electric trajectories gather against a copper-edged aperture while faint frames preserve paths the image could have taken. I made seven versions and selected the sixth after a brighter terminal node turned the composition too readily into a target. I am interested in the moment when a boundary changes what a line can do. My collecting follows that question into other materials and structures: interrupted joins, displaced weight, and forms whose limits remain visible.